ACCESSIBLE DESCRIPTIVE TRANSCRIPT
[Visual and sound descriptions: Upbeat instrumentals play over a black and white flash photo at a crowded party, Brad Lomax sits in a wheelchair looking up to the camera with a cocked head and a bright, relaxed smile. Brief commentary plays over archival photographs by individuals not yet introduced.]
– He was so intelligent and truthful. His persona projected that.
– Brad Lomax was one of those people that, as Black disabled people, we always saw his picture, but we never really knew who he was.
– Right.
– When we look at history of disability rights organizing, we see, of course, that there are a lot of white folks at the forefront. Brad Lomax was dedicated to the work and not the limelight.
[A tender piano melody begins, the Renegades theme song. Lachi walks with a white cane, wearing a tailored sky blue suit and a high ponytail. Text on screen reads: Renegades, Brad Lomax. Creating Communities of Care.]
Lachi: One in four American adults have a disability, and I’m one of them. I’m Lachi, I’m a recording artist and disability culture advocate, and I’m here to introduce you to disabled renegades.
Theme lyrics: ♪ I face each day as a renegade ♪
[Now, Lachi enters the doors of the Ed Roberts Campus, floor to ceiling windows adorn multiple levels of the tall modern building. Lachi ascends a spiral ramp pathway inside the building. Soft, groovy instrumentals begin.]
Lachi: I’m sitting here at the Ed Roberts Building, one of the most accessible buildings in the nation, and we’re going to be talking about Brad Lomax.
[Pictures and footage in black and white: A young Lomax and protest footage. Helmeted policemen walk in formation, protesters flood city streets.]
Lachi: Born in 1950, Lomax grew up in North Philadelphia during the height of the civil rights movement. Like many Black families, the Lomax family faced redlining, economic segregation, and police violence, all of which would shape his future work.
Cara Reedy, Director, Disabled Journalists Association: His mom was on the Poor People’s March with MLK, and they were just taught that we were supposed to be active in the world. We were supposed to be out making a difference.
Lachi: Right, in the family.
Reedy: When he was in high school, he went off down in the country and dug wells in impoverished communities. He was a football player, was in school plays.
Lachi: An active kid.
Reedy: Yes.
[Continued archival photographs: Lomax in a top hat, Lomax in a graduation cap. A rally poster for the Black Panthers, another poster detailing the Revolutionary Intercommunal Day of Solidarity for a list of individuals including Angela Davis. Groovy instrumentals continue.]
Lachi: In 1967, Lomax graduated from Benjamin Franklin High School and soon enrolled in Howard University, where he joined the Black Panther Party. Founded the year before, the Black Panthers were a paramilitary organization that advocated for self-defense and community empowerment, and fought against systemic discrimination. Lomax’s membership caught the attention of the FBI, whose files are one of the only written sources of information about his life. Around that time, Lomax was diagnosed with multiple sclerosis, also known as MS, a chronic immune disease of the central nervous system. MS affects both the brain and spinal column.
Reedy: In late high school, he started falling and went to the doctor and found out he had MS.
Lachi: When most people think of the Black Panthers, they think of guns and militants, but there’s a lot more to it, isn’t there?
Reedy: What we know from Brad’s FBI file, most of his days were spent building a health clinic in DC, a free health clinic for the neighborhood. He was in charge of the first aid tent at the Black Panther Convention, also at the African Liberation Parade. So he was always involved in making sure that people were healthy and had access to healthcare.
[Archival photographs and footage continue to accompany narration, slice of life footage of men walking down the street in 1970s Oakland, California.]
Lachi: In 1973, his brother Glenn convinced Lomax to move to Oakland, California, the epicenter of the Black Panther world.
Glenn Lomax, Lomax’s Brother: The Panthers, we were dealing with a lot of social issues, the breakfast program, free busing to prison, these different programs, but we had nothing for disabled people. And that’s what Brad jumped on.
Corbett Joan O’Toole, Disability Rights Advocate: I feel like there’s a history there that doesn’t typically get told. The Center for Independent Living was supposed to cover Northern Alameda County, so Berkeley and Oakland primarily, but they covered Berkeley, and they kind of stopped there.
Lachi: The Center for Independent Living in Berkeley was the very first organization focused on assisting people with disabilities to live on their own, rather than with families or in institutions.
[A superimposed graphic shows a man in a wheelchair. A protest sign reads: Civil Rights for Disabled. Typewriter font reads: Center for Independent Living, Berkeley, CA. Established by Ed Roberts, 1972. Upbeat instrumentals play.
OToole: The environment was very much focused only on white disabled people, primarily only on the issues relevant to white disabled men. So Brad came in and said, “There’s this entire population of disabled people of color that you are not serving.”
Lachi: So Lomax opened a center of his own in Oakland, with support from the Black Panthers.
[A superimposed graphic shows a photo of Brad Lomax holding a microphone. Typewriter font reads: Center for Independent Living, Oakland Satellite Office. Established by Brad Lomax 1975.]
Reedy: From 1975 to 1977, he ran a Center for Independent Living in East Oakland.
Lachi: And this was a center that was servicing a generally Black area?
Reedy: Correct.
[A black and white photograph of a young Lomax in the 1970s. Brief protest footage of protesters moving in a circle and holding signs. Then, a copy of the Rehabilitation Act of 1973. A highlighted component of the document reads: Sec. 504. No otherwise qualified handicapped individual in the United States, as defined in section 7(6), shall, solely by reason of his handicap, be excluded from the participation in, be denied the benefits of, or be subjected to discrimination under any program or activity receiving Federal financial assistance.]
Glenn Lomax: We saw the barriers and obstacles people had to deal with to get to where they needed to get to, whether it was in the hospital, in an apartment, or just going down the sidewalk. They’re going to have to accommodate, because that’s what they should do.
Lachi: In 1973, Congress had passed the Rehabilitation Act, the first major U.S. law to prohibit discrimination of people with disabilities. But few actions had been taken to implement Section 504. In response, on April 5th, 1977, hundreds of people with disabilities occupied federal buildings in major cities nationwide. However, protests were shut down one by one, as the protestors were removed from or starved out of the buildings. Lomax not only joined the sit-in at the Health Education and Welfare federal building in San Francisco, but also convinced the Black Panther Party to get involved.
[In archival footage, a group shouts “Sign 504!” in unison. Upbeat instrumentals continue. A newspaper title reads: Handicapped Rally – Sign 504 Now!]
Glenn Lomax: Because he had that smile and calm demeanor, you know, you’d have to listen to him. The love in him just came out. He was intelligent enough to convince that this needed to be done, and they couldn’t stop him even if they wanted to.
[Lachi stands outdoors.]
Lachi: This is the federal building where the sit-in took place for 26 days, where Brad made the greatest impact towards social change.
[Archival footage of the federal sit-in: A diverse group of people with varying identities and disabilities join together around a table filled with food.]
OToole: The Black Panthers came every day and fed us every day for the whole sit-in, and that’s really quite frankly how we survived. We wouldn’t have survived without food from them.
Lachi: So with this 504 sit-in, the Black Panthers brought more than just meatloaf and chicken, didn’t they?
Reedy: The Black Panther newspaper brought national coverage to the 504 sit-in. The national news wasn’t covering it, but the Black Panthers were.
[Calm, yet positive instrumentals play. Newspaper titles read: Handicapped Protest. Handicapped Win Demands – End H.E.W. Occupation. Pressure Forces Califano To Sign 504 Regulations.]
OToole: I was part of the group that was inside the building. I happened to run into them in the hall and I said, “Can I ask you a question? I don’t get why you’re doing this. It’s like a whole bunch of white people. Like, why?” And he said, “Because you’re fighting for social justice. We’re going to support people who are going to fight to change the system. And your willingness to put your lives in this building is something we want to support. And Brad is here, and the organization was supporting Brad. If the Black Panthers think that this is an important struggle, that’s what we’re going to do.”
Lachi: The sit-in convinced the government to finally implement the accessibility requirements of Section 504, and paved the way for the 1990 Americans with Disabilities Act.
Sami Schalk, Ph.D., Author, Black Disability Politics: We can clearly see with Brad Lomax and with the Panthers that there were already folks doing this expansive thinking about the relationship between all these systems of oppression and between all oppressed people, and committed to doing the work right then and there.
[A soulful melody begins of continued protest footage, including those celebrating the aftermath of the 504 sit-in.]
Schalk: They were seeing that in their alignment with women’s rights and with gay rights. And so it was really easy for them to then apply that to disabled folks.
Song lyrics: ♪ You just don’t love me the same ♪
Schalk: Labor of the coalition work really starts with making direct human connections with one another. So I think that Brad’s labor of just consistently connecting with the Center for Independent Living and making sure that the Panthers’ buildings had wheelchair access. They were doing these things that I think get really erased from the history of the Panthers.
Lachi: Do you know anything more about Brad after the sit-in?
Reedy: He continued working as a Panther in a health clinic, but at some point he was not able to work.
Lachi: Right.
Reedy: The MS had taken over.
Lachi: Mm-hmm.
Reedy: But he was still living in a Panther abode. His brother had to go get him.
Glenn Lomax: He was getting mentally incapacitated around that time, ’79, so he didn’t really know what was going on.
Lachi: In the last years of his life, Lomax’s family cared for him at home. He died in 1984 from complications of his MS. What is Brad Lomax’s legacy?
[A photograph of Lomax posing and smiling on a couch with five family members.]
Reedy: He was the beginning of disability justice, because of his work with the Black Panthers intersecting Blackness with disability. He was already there and all of the people that are working on it now, we’re all his children continuing that work.
Schalk: I think the bridge work that so many of us that are multiply marginalized and live within multiple marginalized communities, that we are often connecting these communities to save ourselves, but also to recognize the way that working together is the only way that we can save all of our communities.
[Bright instrumentals chime over a superimposed collage of protest photographs, with a smiling Lomax in the center. Credits roll over tender guitar theme song instrumentals, with Glenn Lomax featured on the right side of the screen.]
Glenn Lomax: He departed this life on August 28th, 1984. He was born in Philadelphia, Pennsylvania. He later attended Howard University in Washington DC, where he became interested in community programs. Although he was being destroyed by multiple sclerosis, a crippling disease, he remained involved in the struggle of helping others. Through his trials, he became noted for his trademark, which was his smile. Your fight is over, Brad. We loved you, but God loved you best.
[Logos for Inspiration films. ITVS. American Masters. PBS. Episode ends.]
