in: LaboratorioCittàPubblica, Città pubbliche. Linee guida per la riqualificazione urbana, 2009

Tornare a osservare i quartieri di edilizia sociale per esplorare nuove frontiere del progetto sulla città esistente. È questa la sfida che il libro lancia a studiosi, amministratori, progettisti, abitanti delle città pubbliche che, con le loro case, servizi, spazi aperti, oggi si pongono come "figure emergenti" al centro delle configurazioni urbane. Una sfida ad accantonare facili pregiudizi e luoghi comuni, per cogliere le rinnovate condizioni e potenzialità che questo rilevante patrimonio offre al disegno di futuri progetti e politiche di riqualificazione spaziale e sociale estesi a più ampi settori delle nostre città. Indirizzi per orientare lo sguardo e Strategie per orientare il progetto sui quartieri, un Atlante delle città pubbliche indagate nel contesto nazionale e un Lessico per la loro rigenerazione invitano il lettore ad attingere dai temi, trattati in modi diversi, suggerimenti ed esempi utili alla costruzione di specifici percorsi di ricerca e azione.

INTEGRAZIONE NEL CIRCUITO TURISTICO DI FORMIA DEL CENTRO STORICO DI MARANOLA. Appunti per un progetto integrato di recupero del centro storico e creazione di nuove opportunità occupazionali utilizzando il turismo e le risorse esistenti. Attraverso la reintegrazione delle relazion storiche fra borgo storico e territorio negli assetti contemporanei del comune di Formia e del Comprensorio Aurunco.

1980

Le nuove tavole di incisioni che compongono la serie « Uo mini e case», elaborate da Arduino Cantafora non costi tuiscono certo soltanto la tra duzione grafica del preceden te lavoro dedicato alla « Casa del Sole Nascente e l'annesso ospedale di St. James » . Si presentano invece come una successiva messa a punto di quell'ordine del discorso, con le inevitabili variazioni e ma nipolazioni, sia nell'impagina zione dell'immagine che nel la qualità architettonica della stessa, pur nella fissità degli elementi presenti. La sola luce

in: LaboratorioCittàPubblica, Città pubbliche. Linee guida per la riqualificazione urbana, 2009

Tornare a osservare i quartieri di edilizia sociale per esplorare nuove frontiere del progetto sulla città esistente. È questa la sfida che il libro lancia a studiosi, amministratori, progettisti, abitanti delle città pubbliche che, con le loro case, servizi, spazi aperti, oggi si pongono come "figure emergenti" al centro delle configurazioni urbane. Una sfida ad accantonare facili pregiudizi e luoghi comuni, per cogliere le rinnovate condizioni e potenzialità che questo rilevante patrimonio offre al disegno di futuri progetti e politiche di riqualificazione spaziale e sociale estesi a più ampi settori delle nostre città. Indirizzi per orientare lo sguardo e Strategie per orientare il progetto sui quartieri, un Atlante delle città pubbliche indagate nel contesto nazionale e un Lessico per la loro rigenerazione invitano il lettore ad attingere dai temi, trattati in modi diversi, suggerimenti ed esempi utili alla costruzione di specifici percorsi di ricerca e azione.

Il progetto del reale. Il design che non torna alla normalità, 2020

"Il progetto del reale. Il design che non torna alla normalità" di Marco Petroni - isbn 9788874902798 Prefazione di Azzurra Muzzonigro Si tratta di esplorare, comprendere e illustrare la complessità del reale aprendosi con generosità verso territori tutti da scoprire. Tutto è teso a ricadere in una dimensione etica dove non c'è il bene e il male ma una tensione a descrivere il concreto attuarsi del progetto nelle scelte, nelle azioni di ogni giorno. (Marco Petroni)

2000

Projects on the stone Studies on the subject, considering the scale archaeological embedded in the theme, revealed as the focus of the layouts found by archaeologists on artefacts during excavations, abundantly documented in specific texts , focused primarily on " traces of processing "and" guidelines or of faith, "especially in Greek and Roman times, providing a thorough sampling of what is now unanimously recognized as a standard practice of the construction process. Through extensive bibliography can find a classification summarized as follows: - Traces of machining tools such as chisels, chisel, pencil lead-colored; - Traces on the surfaces of discharge and on the faces of contact, such as anathyrosis, (special processing of the contact faces, which presents itself as a band and finished contornante adjust one or more margins of an element, with the central part which remains retracted ); - Traces of guidelines for the installation of construction elements: stone blocks and drums of columns, or for installation of decorative elements, such as triglyphs, metopes, geison; - Tracks for the connection of these elements: holes of the lever, casting, receipts for polos and empolion (particular connection system consists of an element fitted with a pin and another equipped with built-in); - Traces to assemble and identification: brands of masons, contractors, initials, letters and symbols. The ultimate goal of this classification lies in the attempt to trace a clear date of the article studied through the identification of repetitive elements, certain well-recognized and then chronologically. The arguments just given, supported by a detailed bibliography, now formed a body of work very good and well established, thanks to the efforts by archaeologists in a field of almost absolute dominance. Unlike the traces of drawings engraved in stone elements on site, construction parts and decorative, whose interpretation is not yet unanimous, is a field under development, which meet in a sort of doctrine to its strong multidisciplinary archaeological experiences and architectural expertise. For some scholars they represent real projects of architectural details, the true scale, for others, would be objective representations of the parts made, for others still graphical models, scale, used to control the phases of implementation . From what has been said and the introduction of what would later be discussed more thoroughly, it is noted that in some historical periods and in some geographical areas the use of the tracks had become common practice in the conduct of a construction site, is identified in the case of engravings numerous archaeological sites in Greece, archaic, Hellenistic, Roman monuments in the main, especially in the Imperial age, and major French Romanesque and Gothic cathedrals. To confirm this, and how most obvious example is enough to mention the numerous recordings tracked at the main architectural works of the Roman Empire, built or restored during the first and second century. A.D. under the reign of the Flavian and Antonine dynasties in Italian cities such as showing the path of an arch with concrete amphitheater SMCapua Vetere, the two gables with capital on the pavement entrance of the Mausoleum of Augustus Rome, executed for the portico of the Pantheon, the incisions for the realization of the grooves of the Temple of Hadrian and Pantheon, the capital of the Baths of Agrippa Laconicon have been reported on the Schedule which the main lines for sizing, the guidelines carved on the entablature of the Temple of Vespasian at Rome, and the same in Brescia, or the tracings in certain cities of the provinces as a foreign Sabratha in Libya, Baalbek and Jerash Lebanon. The proposed classification follows two major addresses, the first identified as "Paths Project", with a sense of architecture, which has the main topics "Paths to work site", ie those paths, large substance, found in the circumstances or, some cases, on the same articles, the "Paths of detail on architectural elements", ie those of lesser magnitude, identified on the details for their realization, and finally the "Nomograms", those paths, ie, comparable to geometric diagrams or otherwise signs are part of graphics operations used to trace, set the measurements of a known element, in other, unknown factors. In "Paths to work site" are, in some cases, also including tracks, which by their nature should be categorized as "assembly", but given their size and nature of "meta" is more suited to this second class is the case of some extended compound paths simultaneously guidelines, level lines and axes of symmetry, those, namely, that Ruiz de La Rosa calls "de Dibujos replanteo" identifying the procedure used more than once he saw the "replanting "principal elements constituting an architectural work, the sketch of the designer, often out of scale, directly on the strong, a true to scale. This procedure allowed to check the validity of the alignments of the axes and then make any changes. The second, identified as "Paths of assembly", with archaeological sense, has, however, as the field of implementing the "Guidelines" that is, those incisions performed "in situ" by the juxtaposition of structural elements and control the placement of architectural elements as columns, walls and perimeter marked, and detail elements as metopes, triglyphs, capitals, etc.., and the "marks" that all that body of signs, symbols, letters and numbers that were used by the count of working hours of workers, identification of the blocks in the quarries, the previous numbering assembly of architectural structures composed of multiple elements, simple signs superstitious. The handling of that issue, the apparent strangeness of the tracks with the theme, assumes an important affinity with it, if interpreted as a complement to the design procedure. The trademarks, in fact, in all its different types, they fit perfectly in design methodology defined by the engravings and the paths of the yard, providing a series of explanations and clarifications otherwise not feasible, like annotation metrics, morphological and technical Nowadays we use in preparing the graphics design. Through this reading, which significantly reduces the time lag with modern methods, it will clear the construction process of an artifact in the ancient world, starting from its concept phase, to the preparative, to that, finally, embodiment. The classification as defined, also can not ignore the historical-chronological approach, with the aim of controlling the development over the following centuries, so that any tramandazioni, as well as periods when the use of these procedures was very healthy and consistent. I think, ultimately, be stated that the work is not aimed solely at identifying these construction procedures, it has even less claim to catalog all existing examples, but wants to be, above all, the attempt to identify, through a "process "historical-chronological, a baseline for future studies on the origin of the architectural design today is understood as the Executive.

2016

The semiotics research in the design field often deals with the problem of meaning. Beyond aesthetic and functional issues, it is a “problem” due to its relation with the fact that the world of the artifacts is not always structured as a system of signification, where the meaning identification of an object is often merely a descriptive exercise. The vision of the artifacts within the social practices still – even if relevant in the socio-semiotics – leads, in my view, to partial results. Thus, from where should one start to identify the sense of things? The answer, that is, the direction of research, theoretical and applied, is then sought within the Peircean pragmatistic view of meaning: the sense and the meaning of objects are in the mental habits and behavior they are able to produce. Then, it is a matter of searching the sense of things in the ways through which the objects are able to influence and guide our will to act and think. This has significance not only in the everyday...

2017

Il progetto intende dar vita ad una manifestazione-competizione via WEB utilizzando i social network per raccogliere le adesioni e le presentazioni delle opere tra i vari appassionati di arte, storia, poesia, drammaturgia ecc. prendendo come spunto “i Versi Fescennini” che hanno come base letteraria e teatrale la satira. I partecipanti dovranno inviare le loro opere: poesie, musica filmati, vignette in accordo alla definizione di satira: genere di composizione poetica a carattere moralistico o comico, che mette in risalto, con espressioni che vanno dall'ironia pacata e discorsiva fino allo scherno e all'invettiva sferzante, costumi o atteggiamenti comuni alla generalità degli uomini, o tipici di una categoria o di un solo individuo: la satira di Orazio; la storia della satira latina; la satira del Parini; satira acerba, amara, mordace

To design does not mean to give color to ideas onto a preeminently bi-dimensional surface, but rather to produce effects – positive, if possible – within a world that is three-dimensional. In this perspective it will be necessary to assume as its constitutive (and not accidental) characteristic, the project's propensity to fail, to deviate, to change, to collude. In other words, we must admit the systematic unpredictability of those effects that we wish to achieve. In morals, just as in architecture, it is not true that we have intentions that can later be ratified by documents. The opposite is true: we first receive a documental formation (rites, education), and only later what we have received can be translated into intentionality. To not consider this does not only engender a misunderstanding, but – in fact – a removal: a removal of the documental dimension of the project as a symptom of a larger and more decisive removal, that of technique.

L' Ospedale del Futuro è al centro di un grande forum internazionale: un network interdisciplinare di progettisti, sanitari, amministratori e politici è impegnato ad alimentare un intenso dibattito sugli orientamenti dell'innovazione per consentire alla cultura sanitaria di elaborare il Modello ideale del Terzo Millennio. L'evoluzione dei luoghi di cura non è un percorso lineare e costante ma segnato da lunghi periodi di stasi, alternati da incisivi salti epocali. Il Settecento fonda i primi ricoveri caritatevoli; l'Ottocento inaugura la modernità con la tipologia a padiglioni, a cui seguono: negli anni Trenta del Novecento, i padiglioni collegati; negli anni Sessanta, il monoblocco; negli anni Settanta, il poliblocco e nel Duemila, il nuovo modello sostenibile a sviluppo orizzontale e basso impatto ambientale.