Papers by Nicolas Becker
Chronozones (Bulletin des sciences de l'Antiquité de l'Université de Lausanne), 2018
En l'honneur des 62 ans de Vladimir Vladimirovitch Poutine, le 7 octobre 2014, une galerie d'art ... more En l'honneur des 62 ans de Vladimir Vladimirovitch Poutine, le 7 octobre 2014, une galerie d'art moscovite expose des tableaux peignant le président sous les traits d'Héraclès. Cet article a pour but de s'interroger sur l'usage et le détournement moderne du mythe antique et de comprendre quelle a été l'origine de l'analogie entre ces deux figures.
Poster by Nicolas Becker
Poster présenté lors du colloque "Études classiques face au XXIe siècle", colloque de l’Associati... more Poster présenté lors du colloque "Études classiques face au XXIe siècle", colloque de l’Association suisse pour l’étude de l’Antiquité, Fribourg, 14 -16 novembre 2019.
Talks by Nicolas Becker
30e colloque de l'AFPMA (Arles, 24-25 novembre 2017), 2017
During their studies in archaeology, students at the University of Lausanne are offered practical... more During their studies in archaeology, students at the University of Lausanne are offered practical training sessions in order to acquire the skills and the method used when studying fragmentary wall paintings. Thus, in 2016, six students were introduced to Roman provincial wall paintings while working on unpublished material from the ancient city of Aventicum. The decor presented in this article is composed of red panels framed with large blue bands separated by intervals with a black background adorned with rich umbels candelabra. The information gathered during the excavation and the stylistic parallels both confirm that this painting dates between the end of the Ist century and the beginning of the IInd century CE.
30e colloque de l'AFPMA (Arles, 24-25 novembre 2017)
During their studies in archaeology, students at the University of Lausanne are offered practical... more During their studies in archaeology, students at the University of Lausanne are offered practical training sessions in order to acquire the skills and the method used when studying fragmentary wall paintings. Thus, in 2016, six students were introduced to Roman provincial wall paintings while working on unpublished material from the ancient city of Aventicum. The decor presented in this article is composed of red panels framed with large blue bands separated by intervals with a black background adorned with rich umbels candelabra. The information gathered during the excavation and the stylistic parallels both confirm that this painting dates between the end of the Ist century and the beginning of the IInd century CE.
Contributions by Nicolas Becker
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Papers by Nicolas Becker
Poster by Nicolas Becker
Talks by Nicolas Becker
Contributions by Nicolas Becker