Annemarie Carr
Annemarie Carr is retired, and working now on the afterlife of Byzantine icons, especially on Cyprus
less
Related Authors
InterestsView All (6)
Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
Related Authors
University of Missouri - St. Louis
Università di Bologna
University of Florida
Australian Catholic University
University of Kragujevac
University of Genova
Tufts University
Austrian Academy of Sciences
Rice University
University of Silesia in Katowice
Uploads
Papers by Annemarie Carr
Series: Sources for Byzantine Art History 3
In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.
Art, Archaeology and Society in the 13th c.
Convenors: Jenny Albani (Hellenic Ministry of Culture and Hellenic Open University)
Ioanna Christoforaki (Academy of Athens)
The year 1204, when Byzantium was conquered by the participants of the Fourth Crusade, marks a major and violent change on several levels, including politics and the economy, society and religion, as well as art and culture. The once powerful empire experienced both the humiliation of foreign occupation and its political subjugation. After its re-establishment in 1261, Byzantium had become a shrunken state, surrounded by aggressive enemies, while a number of its vital areas, such as Crete, Cyprus and the Ionian islands remained under foreign rule. These changes influenced not only the artistic output but the everyday life of the Byzantines as well. New ideas, new preferences and new techniques are attested in architecture, painting, sculpture and minor arts, all of which developed a new dynamic.
Although the changes which occurred during the thirteenth century, both in archaeology and society, have been examined in the past, a re-evalution of old and new data, combined with a fresh look on recent archaeological finds, is long overdue. The Thematic Session, entitled Byzantium in Change. Art, Archaeology and Society in the 13th c., aims to provide a well-rounded and balanced overview of this troubled century, by examining the transformations created and developed within the new framework of co-existence among Byzantines, Latins, Slavs and Ottomans. The main focus will be on architecture, painting and material culture, as attested in key political entities of the now fragmented Byzantine territory.
The participants in the Thematic Session, chosen to represent both established and younger scholars from Greece and abroad, are art and architectural historians, material culture experts and field archaeologists. They have been asked to explore issues relating to the artistic expression of the encounter between Byzantium and the West; the continuity, change or adaptation of artistic trends before and after 1204, both in urban centres and the countryside; and the archaeological testimonies for interaction, opposition or symbiosis, both on official and local levels.