Professor David Bolt
I have a first class degree, an award for excellence, and an AHRC-funded doctorate from the University of Staffordshire. I am a Senior Fellow of the Higher Education Academy, winner of a Student-Led Teaching Award for Innovative Teaching, and have been working at Liverpool Hope University since 2009. I am Director of the Centre for Culture & Disability Studies, Professor of Disability studies in the school of social science and course leader on the Disability Studies MA. I am founding Editor-in-Chief of the Journal of Literary & Cultural Disability Studies (Liverpool University Press). I am editor, with my New York colleagues Elizabeth Donaldson and Julia Miele Rodas, of the book series Literary Disability Studies (Palgrave Macmillan). I am general editor, with my George Washington University colleague Robert McRuer, of the multivolume project A Cultural History of Disability (Bloomsbury). I am also editor of the book series Autocritical Disability Studies (Routledge). I have organized and co-organised events at Liverpool Hope University, University of Lancaster, Manchester Metropolitan University, and the University of Staffordshire. I am founder of the International Network of Literary & Cultural Disability Scholars and was the first Honorary Research Fellow in the Centre for Disability Research at the University of Lancaster. I am joint editor of the books, The Madwoman and the Blindman: Jane Eyre, Discourse, Disability (Ohio State University Press, 2012/2015) and Disability, Avoidance, and the Academy: Challenging Resistance (Routledge, 2016), and co-guest editor of the special issue Theorising Culture and Disability: Interdisciplinary Dialogues (Review of Disability Studies, University of Hawaii at Manoa). I have many international publications to my name, including journal articles, book chapters, special issues, and works of creative writing. Many of my articles have been included in The Disability Archive UK (University of Leeds) and a few have been translated into Dutch, Korean, and Spanish. I am author of Cultural Disability Studies in Education: Interdisciplinary Navigations of the Normative Divide (Routledge, 2019) and The Metanarrative of Blindness: A Re-Reading of Twentieth-Century Anglophone Writing (University of Michigan Press, 2014). I am editor of Metanarratives of Disability: Culture, Assumed Authority, and the Normative Social Order (Routledge, 2021) and Changing Social Attitudes Toward Disability: Perspectives from Historical, Cultural, and Educational Studies (Routledge, 2014).
less
Related Authors
Brady J Forrest
The George Washington University
Owen Barden
Liverpool Hope University
IAEME Publication
Iaeme
C Foss
University of Mary Washington
Erin Pritchard
Liverpool Hope University
STEPHEN MUTCH
Edinburgh Napier University
Vera Dolan
Capitol Technology University
Marta Soniewicka
Jagiellonian University
InterestsView All (10)
Uploads
Papers by Professor David Bolt
Table of Contents
Foreword by Lennard J. Davis ix
Introduction · The Madwoman and the Blindman
Julia Miele Rodas, Elizabeth J. Donaldson, and David Bolt 1
Chapter 1 · The Corpus of the Madwoman: Toward a
Feminist Disability Studies Theory of Embodiment and
Mental Illness
Elizabeth J. Donaldson 11
Chapter 2 · The Blindman in the Classic:
Feminisms, Ocularcentrism, and Jane Eyre
David Bolt 32
Chapter 3 · “On the Spectrum”:
Rereading Contact and Affect in Jane Eyre
Julia Miele Rodas 51
Chapter 4 · From India-Rubber Back to Flesh:
A Reevaluation of Male Embodiment in Jane Eyre
Margaret Rose Torrell 71
Chapter 5 · From Custodial Care to Caring Labor:
The Discourse of Who Cares in Jane Eyre
D. Christopher Gabbard 91
Chapter 6 · “I Began to See”:
Biblical Models of Disability in Jane Eyre
Essaka Joshua 111
Chapter 7 · Illness, Disability, and Recognition in Jane Eyre
Susannah B. Mintz 129
Chapter 8 · Visions of Rochester:
Screening Desire and Disability in Jane Eyre
Martha Stoddard Holmes 150
Culture, Assumed Authority, and the Normative Social Order
Edited By David Bolt
The first book in the new Autocritical Disability Studies Series is now available to order: https://www.routledge.com/Metanarratives-of-Disability-Culture-Assumed-Authority-and-the-Normative/Bolt/p/book/9780367523190
With chapter contributions from Owen Barden and Erin Pritchard, and artwork by Claire Penketh, this book explores multiple metanarratives of disability to introduce and investigate the critical concept of assumed authority and the normative social order from which it derives.
The book comprises fifteen chapters developed across three parts and, informed by disability studies, is authored by those with research interests in the condition on which they focus as well as direct or intimate experiential knowledge.
Moving from late nineteenth to early twenty-first-century representations, this book combines disability studies with aesthetics, film studies, Holocaust studies, gender studies, happiness studies, popular music studies, humour studies, and media studies. In so doing it encourages discussion around representations of disability in drama, novels, films, autobiography, short stories, music videos, sitcoms, and advertising campaigns. Discussions are underpinned by the tripartite model of disability and so disrupt one-dimensional representations.
Cultural Disability Studies in Education encourages educators and students to engage with disability as an isolating, hurtful, and joyful experience that merits multiple levels of representation and offers true potential for a non-normative social aesthetic. It will be required reading for all scholars and students of disability studies, cultural disability studies, Disability Studies in Education, sociology, and cultural studies.
This innovative book brings together work in the humanities and the social sciences, and draws on the riches of cultural diversity to challenge institutional and disciplinary avoidance. Divided into three parts, the first looks at how educational institutions and systems implicitly uphold double standards, which can result in negative experiences for staff and students who are disabled. The second part explores how disability studies informs and improves a number of academic disciplines, from social work to performance arts. The final part shows how more diverse cultural engagement offers a way forward for the academy, demonstrating ways in which we can make more explicit the interdisciplinary significance of disability studies – and, by extension, disability theory, activism, experience, and culture.
Disability, Avoidance and the Academy: Challenging Resistance will interest students and scholars of disability studies, education studies and cultural studies.
More Info: https://www.facebook.com/DisabilityAvoidanceandtheAcademy/?fref=ts
This unique book provides a much needed, multifaceted exploration of changing social attitudes toward disability. Adopting a tripartite approach to examining disability, the book looks at historical, cultural, and education studies, broadly conceived, in order to provide a multidisciplinary and interdisciplinary approach to the documentation and endorsement of changing social attitudes toward disability. Written by a selection of established and emerging scholars in the field, the book aims to break down some of the unhelpful boundaries between disciplines so that disability is recognised as an issue for all of us across all aspects of society, and to encourage readers to recognise disability in all its forms and within all its contexts.
This truly multidimensional approach to changing social attitudes will be important reading for students and researchers of disability from education, cultural and disability studies, and all those interested in the questions and issues surrounding attitudes toward disability.
What connects these seemingly disparate works is what Bolt calls “the metanarrative of blindness,” a narrative steeped in mythology and with deep roots in Western culture. Bolt examines literary representations of blindness using the analytical tools of disability studies in both the humanities and social sciences. His readings are also broadly appreciative of personal, social, and cultural aspects of disability, with the aim of bringing literary scholars to the growing discipline of disability studies, and vice versa. This interdisciplinary monograph is relevant to people working in literary studies, disability studies, psychology, sociology, applied linguistics, life writing, and cultural studies, as well as those with a general interest in education and representations of blindness.
Available Open Access: https://kb.osu.edu/bitstream/handle/1811/53188/BOLT_Book4CD.pdf?sequence=1&isAllowed=y&fbclid=IwAR11q2OZcru-T1IFXUJ8RZZ4RBB2J7KDuX8wdEOZfKKBE8pTGckYp2COLNU
Volume 18 Issue 4
JLCDS is available from Liverpool University Press, online and in print, to institutional and individual subscribers; it is also part of the Project MUSE collection to which the links below point.
Articles
Darwin’s Chronicles of Seasickness: Excavating the Archive of the Crip Uncanny
Ana Popovic
https://muse.jhu.edu/pub/105/article/941541
“Her Prim Answering Smile”: Oral Expressions, Disability, and Ethics in J.M. Coetzee’s Life & Times of Michael K
Jared Young
https://muse.jhu.edu/pub/105/article/941542
Nonnormative Communication and Metaphors of Silencing in Two Postcolonial Texts
Tracy A. Stephens
https://muse.jhu.edu/pub/105/article/941543
Disposable Bodies: Disability and Masculinity in D.M. Aderibigbe’s Poetry
Uchechukwu Peter Umezurike
https://muse.jhu.edu/pub/105/article/941544
“When Father Christmas is the Gaslighter”: How Special Education Systems Make (M)others ‘Mad’
Katherine Runswick-Cole, Patty Douglas and Penny Fogg, Sarah Alexander, Stephanie Ehret, Jen Eves, Barbara Shapley-King, Martha Ward and Incy Wood
https://muse.jhu.edu/pub/105/article/941545
Embodying Tourette’s Syndrome in Young Adult Literature: Exploring Contemporary Portrayals and the Lingering Legacy of Freakery
David J. Connor and Melissa Schieble
https://muse.jhu.edu/pub/105/article/941546
Comment from the Field
Disability and Consent in Everyday Interactions
Tintin Appelgren
https://muse.jhu.edu/pub/105/article/941547
The State We Were In: My Life, Achievements and Disappointments
Frantzeska Zerva
https://muse.jhu.edu/pub/105/article/941548
Book Reviews
Amanda Apgar, The Disabled Child: Memoirs of a Normal Future
Megan Jean Harlow
https://muse.jhu.edu/pub/105/article/941549
Ann Millet-Gallant and Elizabeth Howie (eds), Disability and Art History from Antiquity to the Twenty-First Century
Mike Layward
https://muse.jhu.edu/pub/105/article/941550
Kathleen Watt, Rearranged: An Opera Singer’s Facial Cancer and Life Transposed
G Thomas Couser
https://muse.jhu.edu/pub/105/article/941551
The first two books in the series are:
Friedrich, Patricia. The Literary and Linguistic Construction of Obsessive-Compulsive Disorder: No Ordinary Doubt. 2015.
Foss, Chris, Jonathan W. Gray, and Zach Whalen. Disability in Comic Books and Graphic Narratives. 2016.
The series is supported by an editorial board of internationally-recognised literary scholars specialising in disability studies:
• Michael Bérubé, Edwin Erle Sparks Professor of Literature, Pennsylvania State University.
• G. Thomas Couser, Professor of English Emeritus, Hofstra University in Hempstead, New York.
• Michael Davidson, University of California Distinguished Professor, University of California, San Diego.
• Rosemarie Garland-Thomson, Professor of Women’s Studies and English, Emory University, Atlanta.
• Cynthia Lewiecki-Wilson, Professor of English Emerita, Miami University, Ohio.
For information about submitting a Literary Disability Studies book proposal, please contact David Bolt (boltd@hope.ac.uk), Elizabeth J. Donaldson (edonalds@nyit.edu), and/or Julia Miele Rodas (Julia.Rodas@ bcc.cuny.edu)"
Professor Petra Kuppers
Date: Tuesday 12th July 2016
Time: 12pm – 2pm
Place: Eden 036, Liverpool Hope University, UK
In this special guest lecture, Petra Kuppers will discuss arts-based research methods in disability culture, and their place in universities’ ways of knowing and recognizing value. What are the politics and pedagogies of community-engaged creative work in the academy? By drawing on recent work in community arts, conference/symposium organization, publication strategies, and classroom politics, Professor Kuppers will highlight how disability culture values of interdependence, collaboration, and improvisation can structurally influence the work of disability studies.
Petra Kuppers is a disability culture activist, a community performance artist, and Professor of English at the University of Michigan. Her Disability Culture and Community Performance: Find a Strange and Twisted Shape (2011) explores arts-based research methods and her most recent book is Studying Disability Arts and Culture: An Introduction (2014). Other books include Disability and Contemporary Performance: Bodies on Edge (2003), The Scar of Visibility: Medical Performance and Contemporary Art (2007), and Community Performance: An Introduction (2007).
This special guest lecture is being held in memory of Tobin Siebers. For nearly a decade Professor Siebers served on the JLCDS Editorial Board whose institutional base is in the Centre for Culture and Disability Studies. He reviewed numerous submissions over those years and guest edited a special issue with Dr Alice Hall just before he sadly died in 2015. His work is and will always be some of the most important in the field.
Attendance at The Tobin Siebers Disability Arts and Culture lecture is free but must be booked via the online store: http://store.hope.ac.uk/browse/extra_info.asp?compid=1&modid=2&deptid=25&catid=165&prodid=245
Specifically, the RNIB’s new See the Need campaign is purely negative and thus insulting to people who experience the world via other than visual means. It may be necessary to demand support, as the RNIB asserts, but not at the expense of appreciation.
If you sign the More than Needs petition you are calling for complexity in the representation of disability. In particular, you are urging the abandonment or else marked improvement of the RNIB’s See the Need campaign.
For further information: https://theconversation.com/shame-on-you-rnib-you-see-the-need-of-blind-people-but-omit-our-achievements-48688
To sign the petition: https://www.change.org/p/rnib-ceo-lesley-anne-alexander-the-abandonment-or-appreciative-improvement-of-the-rnib-s-see-the-need-campaign?recruiter=67430913&utm_source=share_petition&utm_medium=facebook&utm_campaign=autopublish&utm_term=mob-xs-share_petition-no_msg&fb_ref=Default
The International Conference on Educational, Cultural, and Disability Studies
3-4 July, 2019
Centre for Culture and Disability Studies, Liverpool Hope University
Keynote Speakers:
Prof Tanya Titchkosky, University of Toronto, Canada
Dr Laurence Clark, Independent, UK
Interdisciplinarity is increasingly recognised as pivotal in the academy, as reflected in the work of the Centre for Culture and Disability Studies (CCDS), whose major collaborations include the Journal of Literary and Cultural Disability Studies, the book series Literary Disability Studies, and the multi-volume project A Cultural History of Disability. Although far from straightforward in practice, the premise of the CCDS is that interdisciplinarity leads to curricular reform that itself leads to changes in social attitudes. Growing appreciation of disability studies across the fields and disciplines ultimately contributes to the erosion of ableism and disablism in culture and society, from which there grows both space and opportunity for non-normative achievements and aspirations.
The organisers of the 5th biennial CCDS conference welcome proposals from academics, students, and other interested parties for papers that explore the benefits of interdisciplinarity between Disability Studies and subjects such as Aesthetics, Art, Business Studies, Creative Writing, Cultural Studies, Education Studies, Film Studies, Genre Studies, History, Holocaust Studies, International Studies, Literary Studies, Literacy Studies, Management Studies, Media Studies, Medical Humanities, Museum Studies, Philosophy, Professional Studies, Special Educational Needs, Technology, and Women’s Studies. This list is meant to be suggestive rather than exhaustive.
Paper proposals of 150-200 words should be sent to disciplines@hope.ac.uk on or before 1 February, 2019.
Paper presentations are allocated 20 minute slots and themed panels of 3 papers are encouraged.
The organisers are indebted to previous keynote speakers Julie Allan, Len Barton, Peter Beresford, Fiona Kumari Campbell, Rosemarie Garland-Thomson, Dan Goodley, Robert McRuer, David T. Mitchell, Stuart Murray, Katherine Runswick-Cole, and Sharon L. Snyder, whose presentations have led this project and in some cases are now freely available on the CCDS YouTube channel.
The International Conference on Educational, Cultural, and Disability Studies
5-6 July, 2017
Centre for Culture and Disability Studies, Liverpool Hope University
Keynote Speakers:
Prof Robert McRuer, George Washington University
Prof Katherine Runswick-Cole, Manchester Metropolitan University
Interdisciplinarity is pivotal in the development of the academy for many reasons, some of which form the conceptual framework of the Centre for Culture and Disability Studies. Although far from straightforward in practice, the thinking is that interdisciplinarity leads to curricular reform that itself leads to changes in social attitudes – or more specifically, that appreciation of disability studies within the various academic disciplines ultimately contributes to the erosion of ableism and disablism in culture and society.
The organisers of the 4th biennial CCDS conference welcome proposals from professors, lecturers, students, and other interested parties for papers that explore the benefits of interdisciplinarity between Disability Studies and subjects such as Aesthetics, Art, Business Studies, Creative Writing, Cultural Studies, Education Studies, Film Studies, History, Holocaust Studies, International Studies, Literary Studies, Literacy Studies, Management Studies, Media Studies, Medical Humanities, Museum Studies, Philosophy, Professional Studies, Special Educational Needs, Technology, and Women’s Studies. This list is meant to be suggestive rather than exhaustive.
Paper proposals of 150-200 words should be sent to disciplines@hope.ac.uk on or before 1 February, 2017.
Paper presentations are allocated 20 minute slots and poster presentations, as well as themed panels of 3 papers are also encouraged.
Booking information is available via the online store:
http://store.hope.ac.uk/conferences-and-events/faculty-of-education/disability-and-disciplines-the-international-conference-on-educational-cultural-and-disability-studies/the-international-conference-on-educational-cultural-and-disability-studies-2017
Like Disability and Disciplines on Facebook: https://www.facebook.com/DisciplinesConference
The CCDS conference in 2013 resulted in Disability, Avoidance, and the Academy: http://www.routledge.com/books/details/9781138858664/
Videos from the CCDS conference in 2015 are available: https://www.youtube.com/channel/UCmNcCKNIFGdTu5JjHbzf9DQ
The International Conference on Educational, Cultural, and Disability Studies
5-6 July, 2017
Centre for Culture and Disability Studies, Liverpool Hope University
Keynote Speakers: TBC
Interdisciplinarity is pivotal in the development of the academy for many reasons, some of which form the conceptual framework of the Centre for Culture and Disability Studies. Although far from straightforward in practice, the thinking is that interdisciplinarity leads to curricular reform that itself leads to changes in social attitudes – or more specifically, that appreciation of disability studies within the various academic disciplines ultimately contributes to the erosion of ableism and disablism in culture and society.
The organisers of the 4th biennial CCDS conference welcome proposals from professors, lecturers, students, and other interested parties for papers that explore the benefits of interdisciplinarity between Disability Studies and subjects such as Aesthetics, Art, Business Studies, Creative Writing, Cultural Studies, Education Studies, Film Studies, History, Holocaust Studies, International Studies, Literary Studies, Literacy Studies, Management Studies, Media Studies, Medical Humanities, Museum Studies, Philosophy, Professional Studies, Special Educational Needs, Technology, and Women’s Studies. This list is meant to be suggestive rather than exhaustive.
Paper proposals of 150-200 words should be sent to disciplines@hope.ac.uk on or before 1 February, 2017.
Paper presentations are allocated 20 minute slots and poster presentations, as well as themed panels of 3 papers are also encouraged.
Booking information will be circulated in the coming weeks.
Like Disability and Disciplines on Facebook: https://www.facebook.com/DisciplinesConference
The International Conference on Educational, Cultural, and Disability Studies
1-2 July, 2015
Centre for Culture and Disability Studies, Faculty of Education, Liverpool Hope University
Keynote Speakers:
Julie Allan (University of Birmingham, UK)
Peter Beresford (Brunel University London, UK)
David Mitchell (George Washington University, USA)
Sharon Snyder (George Washington University, USA)
When we think of disability in Higher Education we are likely to think in terms of access, Learning Support Plans, and so on. These and other such things are of great importance but only represent part of the approach proposed at the biennial CCDS conference. What we explore is a more complex understanding of disability that challenges assumptions and prejudicial actions but also recognises qualities and positivity. While inclusive education is generally an improvement on integration and segregation, it often constitutes little more than what, in The Biopolitics of Disability (2015), David Mitchell and Sharon Snyder call a weakened strain of inclusionism. Until disability is recognised in the context of alternative lives and values that neither enforce nor reify normalcy we cannot truly encounter the material and ethical alternatives disabled lives engage. Inclusion may well be a legal requirement in some parts of the world, and perhaps a moral imperative everywhere, but it is also an educational opportunity. Not only students but also staff who identify as disabled should, as Mitchell and Snyder assert, recognize this peripheral embodiment as something to be cultivated as a form of alternative expertise, meaning that disability can become an active, unabashed, and less stigmatising part of classroom discourse. The aim of this biennial conference, then, is to encourage the transformation of academic disciplines by appreciating rather than avoiding disability.
The keynote presentations have now been confirmed:
• ‘The Arts and Inclusive Imagination: Spaces for Civic Engagement’, Julie Allan
• ‘From Psychiatry to Disability Studies and Mad Studies: Exploring Uncharted Relationships’, Peter Beresford
• ‘The Crip Art of Failure in Education’, David Mitchell and Sharon Snyder
We welcome proposals from professors, lecturers, students, and other interested parties for papers that explore the benefits of interdisciplinarity between Disability Studies and subjects such as Aesthetics, Art, Business Studies, Creative Writing, Cultural Studies, Film Studies, Holocaust Studies, International Studies, Literary Studies, Literacy Studies, Management Studies, Media Studies, Medical Humanities, Museum Studies, Philosophy, Professional Studies, Special Educational Needs, and Technology. This list is meant to be suggestive rather than exhaustive.
Some anticipated panels include:
• The Art of Disability: Disability Studies and the Arts
• Medical Matters: Disability Studies and Medical Humanities
• Learning to Read People: Disability Studies and Children’s Fiction
• Beyond the Rhetoric of Inclusion: Disability Studies and Special Educational Needs
• Telling Stories: Disability Studies and Creative Writing
Paper proposals of 150-200 words should be sent to disciplines@hope.ac.uk on or before 1 February, 2015.
Paper presentations are allocated 20 minute slots and themed panels of 3 papers are also encouraged.
The International Conference on Educational, Cultural, and Disability Studies
1-2 July, 2015
Centre for Culture and Disability Studies, Faculty of Education, Liverpool Hope University
Keynote Speakers:
Julie Allan (University of Birmingham, UK)
Peter Beresford (Brunel University London, UK)
David Mitchell (George Washington University, USA)
Sharon Snyder (George Washington University, USA)
When we think of disability in Higher Education we are likely to think in terms of access, Learning Support Plans, and so on. These and other such things are of great importance but only represent part of the approach proposed at the biennial CCDS conference. What we explore is a more complex understanding of disability that challenges assumptions and prejudicial actions but also recognises qualities and positivity. While inclusive education is generally an improvement on integration and segregation, it often constitutes little more than what, in The Biopolitics of Disability (2015), David Mitchell and Sharon Snyder call a weakened strain of inclusionism. Until disability is recognised in the context of alternative lives and values that neither enforce nor reify normalcy we cannot truly encounter the material and ethical alternatives disabled lives engage. Inclusion may well be a legal requirement in some parts of the world, and perhaps a moral imperative everywhere, but it is also an educational opportunity. Not only students but also staff who identify as disabled should, as Mitchell and Snyder assert, recognize this peripheral embodiment as something to be cultivated as a form of alternative expertise, meaning that disability can become an active, unabashed, and less stigmatising part of classroom discourse. The aim of this biennial conference, then, is to encourage the transformation of academic disciplines by appreciating rather than avoiding disability.
The keynote presentations have now been confirmed:
• ‘The Arts and Inclusive Imagination: Spaces for Civic Engagement’, Julie Allan
• ‘From Psychiatry to Disability Studies and Mad Studies: Exploring Uncharted Relationships’, Peter Beresford
• ‘The Crip Art of Failure in Education’, David Mitchell and Sharon Snyder
We welcome proposals from professors, lecturers, students, and other interested parties for papers that explore the benefits of interdisciplinarity between Disability Studies and subjects such as Aesthetics, Art, Business Studies, Creative Writing, Cultural Studies, Film Studies, Holocaust Studies, International Studies, Literary Studies, Literacy Studies, Management Studies, Media Studies, Medical Humanities, Museum Studies, Philosophy, Professional Studies, Special Educational Needs, and Technology. This list is meant to be suggestive rather than exhaustive.
Some anticipated panels include:
• The Art of Disability: Disability Studies and the Arts
• Medical Matters: Disability Studies and Medical Humanities
• Learning to Read People: Disability Studies and Children’s Fiction
• Beyond the Rhetoric of Inclusion: Disability Studies and Special Educational Needs
• Telling Stories: Disability Studies and Creative Writing
Paper proposals of 150-200 words should be sent to disciplines@hope.ac.uk on or before 1 February, 2015.
Paper presentations are allocated 20 minute slots and themed panels of 3 papers are also encouraged.
Seminar series hosted by the Centre for Culture and Disability Studies
No crying in disability studies, that was the rule set by Joseph Shapiro’s No Pity in 1993, only to be broken a few years later by Elizabeth J. Donaldson and Catherine Prendergast at the 2000 MLA conference. In the decade that followed there was a proliferation of work on emotion, especially affect, which culminated in Donaldson and Prendergast’s Representing Disability and Emotion, a themed issue of JLCDS published in 2011. Since then the CCDS has engaged with the subject of emotion recurrently. For instance, Tom Coogan and Rebecca Mallett guest edited a special issue of JLCDS that focused on humour (2013), Marie Caslin critiqued the category of BESD in Changing Social Attitudes Toward Disability (2014), and Emmeline Burdett returned to the matter of pity in Disability, Avoidance and the Academy (2016).
The CCDS is now set to sustain this engagement by hosting the following seminars at Liverpool Hope University in a series entitled Disability and the Emotions.
5th Oct 2016, Affect and the Disability Encounter, Dr Ria Cheyne
16th Nov 2016, Pride and Prejudice – Emotions in the lives of fathers of autistic children, Ms Joanne Heeney
14th Dec 2016, “An Unstable and Fantastical Space of Absence”: The Entanglement of Memory and Emotion, Dr Margaret Price
18th Jan 2017, Pain as Emotional Experience, Ms Emma Sheppard
1st Mar 2017, “For the future let those who come to play with me have no hearts”: Dis/enabling Narratives and the Affect of Pity in Oscar Wilde’s “The Birthday of the Infanta”, Prof Chris Foss
10th May 2017, A Secret Worth Knowing: Living Mad Lives in the Shadow of the Asylum, Dr Michael Rembis
Dr Alan Hodkinson
Date: Wednesday 13 January, 2016
Time: 2.15pm–3.45pm
Place: Eden036, Liverpool Hope University, UK
In this paper Dr Hodkinson will tell a story by employing the three stanzas of Thomas Hardy’s poem ‘The Self-Unseeing’ to tremble the picture of disability located in the pedagogical materials in English Schools. By mobilising and then reversing Derrida’s concept of the visor and the ghost, as well as Bentham’s Panopticon, this story reveals the power and voice of the ‘Them’, the ‘Their’, and the ‘They’. By materialising a ghost of the real of disability within a utopia of hope, as a magnificent Being, this story deconstructs the power of Their transparent house and thus presents a space for the ‘real’ voice of disability to be heard.
Alan Hodkinson is Associate Professor in the Department of Disability and Education at Liverpool Hope University, where he is a core member of the CCDS. He is author of Key Issues in Special Educational Needs and Inclusion (SAGE, 2016). He has made a number of contributions to the work of the CCDS, including chapters in Disability, Avoidance and the Academy (Routledge, 2016) and Changing Social Attitudes Toward Disability (Routledge, 2014), and papers at seminars and conferences.
Two Voices and Disability: A Voice of Inscription and a Voice of Re-Constitution
Dr Tom Campbell
Date: Wednesday 10 February, 2016
Time: 2.15pm–3.45pm
Place: Eden109, Liverpool Hope University, UK
Drawing upon his writing on the genealogy of impairment categories (specifically dyslexia), Dr Campbell will consider how the voice and statements of a vast number of experts are involved in the constitution of impairment categories that operate as mechanisms through which we come to understand ourselves – technologies of power that shape and de-limit who we are. He will consider how the disabled people’s movement in the UK was able to find a new re-constitutive voice through the oppositional device of the social model of disability, and make a case for a research programme of genealogies of impairment categories intent on describing the multitude of expert’s voices that speak of disabled people, their bodies, minds and abilities.
Tom Campbell is Lecturer in Social Theory at the University of Leeds, where he is Deputy Director of Student Education, Deputy Director of the Bauman Institute, and a member of the Centre for Disability Studies.
Unexpected Anatomies: Extraordinary Bodies in Contemporary Art
Professor Ann M. Fox
Date: Wednesday 2 March, 2016
Time: 2.15pm–3.45pm
Place: Eden109, Liverpool Hope University, UK
As a curator who has now co-curated three disability arts-related exhibitions, Professor Fox continually asks: what do works about bodily difference give voice to the lived experience of disability? How do these works dissect what we think we know about the disabled body? And in recognizing this, can we see examples of difference as what Rosemarie Garland-Thomson calls “disability gain”—those things that prod us to understand what disability brings creatively into being? Disability works to dismantle the hierarchy that presumes the inherent superiority of normalcy. Building on Tobin Siebers’s notion of disability aesthetics, this talk will explore anatomies in contemporary disability art that are unexpected in subject and approach. Empowered by the imaginative possibility of disability, they look at the body slant — and disrupt the conventions of an already overdetermined look at the body that, ironically, hides new ways of knowing and possibilities in plain sight.
Ann M. Fox is Professor of English at Davidson College, USA, where she specializes in modern and contemporary dramatic literature and disability studies. Her scholarship on disability and theater has been supported by an AAUW postdoctoral fellowship and published widely. Her current book project traces the representation of disability on the 20th-century commercial stage. She has made a number of contributions to the work of the CCDS, including a chapter in Disability, Avoidance and the Academy (Routledge, 2016), papers at conferences, and articles in the Journal of Literary Disability Studies.
“The President has been shot”: Reagan, Wounded Heroes and the Cyborg Soldier in American Science Fiction of the 1980s
Dr Sue Smith
Date: Wednesday 20 April, 2016
Time: 2.15pm–3.45pm
Place: Eden109, Liverpool Hope University, UK
In this paper, Dr Smith will discuss President Ronald Reagan, disability, and the cyborg soldier in 1980s American science fiction by focusing on Lois McMaster Bujold’s space opera novel, The Warrior’s Apprentice (1986) – a narrative featuring a young nobleman called Miles Vorkosigan, who is wounded, impaired, and altered by technology only to reinvent himself as an enigmatic and heroic military leader capable of rescuing and inspiring men overwhelmed by a rapidly changing environment. In the context of Reagan’s synonymity with the wounded hero and disability, and a neo-conservative’s appropriation of the Disability Rights rhetoric of ‘self reliance and independence’, Dr Smith will critically evaluate Miles as a Reaganesque figure, who evokes America’s anxieties about Reagan’s presidential leadership, while also epitomizing the emergence of the cyborg soldier in 1980s American science fiction as the ideal Republican hero.
Susan Smith’s research interests focus on the representation of disability and the cyborg in American science fiction. She has made a number of contributions to the work of the CCDS, including a chapter in Changing Social Attitudes Toward Disability (Routledge, 2014) and papers at seminars and the Symposium.
Tales from the Crip: Narrative Reconstructions of the Storyteller’s Disabled Male Body in Contemporary Gothic Fiction
Dr Alan Gregory
Date: Wednesday 25 May, 2016
Time: 2.15pm–3.45pm
Place: Eden036, Liverpool Hope University, UK
In Staring (2009), Rosemarie Garland-Thomson emphasises that bodies of extraordinary scale and shape often develop a storied quality. Her recognition of the spectacular body’s familiarity as narrative gestures towards the Gothic through reference to the unusual corporeal formations of monstrous bodies and suggestions that ‘monsters come from horror stories designed to frighten’ (167). Several disabled men in contemporary Gothic texts, including Arturo Binewski of Katherine Dunn’s Geek Love (1989), Charles Byrne of Hilary Mantel’s The Giant, O’Brien (1998) and Harry Peake of Patrick McGrath’s Martha Peake (2000) adhere to Garland-Thomson’s notion through their presentation of stories as composites of their exhibitions as cultural spectacles. Dr Gregory will explore how contemporary Gothic’s physically disabled figures have more agency as their role as storytellers allows them to re-write the horror stories typically ascribed to their bodies by accentuating the dichotomy between the monstrosity perceived in their corporeal difference, and their displays of poetic sensibility.
Alan Gregory completed his PhD at Lancaster University in 2013. His publications focus on Gothic fiction and disability and he is currently working on a book for the Palgrave Macmillan series, Literary Disability Studies, which is based in the CCDS.
Voices of Becoming.
Ms Laura Waite.
Date: Wednesday 29 June, 2016
Time: 2.15pm–3.45pm
Place: Eden109, Liverpool Hope University, UK
The issue of voice in relation to children described as having 'Profound and Multiple Learning Disabilities' (PMLD) is one that a number of researchers have attempted to explore both theoretically and practically for some time. Vorhaus in his recent book 'Giving Voice to Profound Disability' starts by apologising that because of the nature of PMLD he has not been able to 'include the voices of profoundly disabled people themselves' (2015 p. 2). He calls for more to be done to utilise and develop forms of alternative and augmentative communication so that individuals said to have PMLD can contribute more productively to research. Ms Waite will reject such narrow conceptions of 'voice' and argue that the use of Creative Analytical Processes (Richardson and St. Pierre, 2001) offers the opportunity to access 'voices' differently. Furthermore, she will suggest that when we 'listen' more attentively through these approaches we might be able to 'hear' the forces of becoming that children described as having PMLD offer us.
Laura Waite is Lecturer in the Department of Disability and Education at Liverpool Hope University, where she is a core member of the CCDS and an EdD candidate. She has made a number of contributions to the work of the CCDS, including a chapter in Disability, Avoidance and the Academy (Routledge, 2016) and papers at seminars and conferences.
The inaugural lecture can be viewed here: https://www.youtube.com/watch?v=A72tqrCD1UI