cristina fiordimela
Cristina Fiordimela, PhD in Interior Architecture and Exhibition Design at Polytechnic University of Milan and Fondation Le Corbusier Paris, Master in Science Communication at Physics Department University of Milan and Cité de sciences e de l’industrie La Villette Paris, exhibition designer, museographer associated ICOM since 2000.
Visiting professor at Politecnico di Milano – Design School of Interiors Architecture and Exhibition design (2009-2018). She’s designer in science-art exhibitions for several universities and science research centers since 2003, (Università degli Studi di Genova, Università degli Studi di Milano Bicocca, Museo nazionale dell’Antartide, Museo della scienza e della tecnologia L. d. Vinci di Milano, Museo diffuso della Resistenza di Torino 2013), and expert for the JRC_European Commission’s Sciart Initiatives Resonances III (2019-2021).
Currently she’s involved in the ICOM Lazio-Musei e territorio, museums and land (IT) and in the ATER (Azienda territoriale per l'edilizia residenziale), for the book of 70ies architecture’s in Tuscania (IT).
She publishes regularly on museography, contemporary arts, exhibition design in Abitare, Ananke, Artribune, Babylon city of dreams, ddn, Domus, Il giornale dell’Architettura, Inventario, Monumental (Editions du Patrimoine), and she is editor and member of scientific board of the international journal Ágalma (aesthetic culture studies) since 2018.
Some publications and papers: NowHere Active Residencies, (Sensibili alle foglie 2021), Entrer dans la mine (Inventario13, Corraini 2018), Scenografie di architettura, in AA.VV. Mettere in scena, mettere in mostra (LetteraVentidue 2015), Il museo diffuso, conversazione con Andrea Emiliani, in Peressut L.B., Ricci M., Idee per un museo diffuso lungo il Trebbia (Edifir 2016),
13 Complessi monastici (Edifir 2013), Museographie pour le musée d’art contemporain, Ecole de Beaux-Arts Paris-Malaquais (2012), The retranscription of the interiors designed by Le Corbusier, Interior tools interior tactics (Kingston University, Libri Books, 2012), L’espace artificiel du musée (IAWIS-AIERTI, UQAM, Université du Québec à Montréal 2011), Interiors of residential architecture from the Modern Movement reinterpreted by contemporary artists. An interdisciplinary approach to the design culture of the Modern Movement (IDEC USA & MIRC, Atlanta, Georgia, 2010), Case-museo del Moderno in Cornoldi A. Architettura degli interni, (Il Poligrafo, 2005).
Research in: Museography, House-Museum, Diffused Museum, Museum and archeology, Contemporary Art, Artivism, Interior Architecture, SciArt, Image-Text-Space, Contemporary Spiritual Art, concept studies in architecture and exposition contexts.
Cristina Fiordimela and Freddy Paul Grunert, philosopher and indipendent curator, work in common since 2015. Some works: V/Vêtus Urbs Vacuum in Viterbo (2020) contemporary art programme, SoL, Symmetries of Light, Globale ZKM,Karlsruhe, VR installation Perfection_Science Gallery Melbourne 2018, Twisted in Light MAXXI Rome 2016, Ceçi n’est pas une table_ contemporary artivism, 1° International Commons Festival 2015, Maria Hope Transcendental Art Gallery (DaPlastique Foundation, since 2015), essays: Paolo Gioli, Family Album, in AA.VV. Paolo Gioli (Silvana Editoriale, 2021), Chambre d’Amour in Ágalma 38 (Mimesis, 2019), Chambre en commons. Culture et Démocratie Cahier 8 (Bruxelles, 2018), Maison au Soleil, in AA.VV., Francesco Lo Savio (MART edizioni, 2018).
Visiting professor at Politecnico di Milano – Design School of Interiors Architecture and Exhibition design (2009-2018). She’s designer in science-art exhibitions for several universities and science research centers since 2003, (Università degli Studi di Genova, Università degli Studi di Milano Bicocca, Museo nazionale dell’Antartide, Museo della scienza e della tecnologia L. d. Vinci di Milano, Museo diffuso della Resistenza di Torino 2013), and expert for the JRC_European Commission’s Sciart Initiatives Resonances III (2019-2021).
Currently she’s involved in the ICOM Lazio-Musei e territorio, museums and land (IT) and in the ATER (Azienda territoriale per l'edilizia residenziale), for the book of 70ies architecture’s in Tuscania (IT).
She publishes regularly on museography, contemporary arts, exhibition design in Abitare, Ananke, Artribune, Babylon city of dreams, ddn, Domus, Il giornale dell’Architettura, Inventario, Monumental (Editions du Patrimoine), and she is editor and member of scientific board of the international journal Ágalma (aesthetic culture studies) since 2018.
Some publications and papers: NowHere Active Residencies, (Sensibili alle foglie 2021), Entrer dans la mine (Inventario13, Corraini 2018), Scenografie di architettura, in AA.VV. Mettere in scena, mettere in mostra (LetteraVentidue 2015), Il museo diffuso, conversazione con Andrea Emiliani, in Peressut L.B., Ricci M., Idee per un museo diffuso lungo il Trebbia (Edifir 2016),
13 Complessi monastici (Edifir 2013), Museographie pour le musée d’art contemporain, Ecole de Beaux-Arts Paris-Malaquais (2012), The retranscription of the interiors designed by Le Corbusier, Interior tools interior tactics (Kingston University, Libri Books, 2012), L’espace artificiel du musée (IAWIS-AIERTI, UQAM, Université du Québec à Montréal 2011), Interiors of residential architecture from the Modern Movement reinterpreted by contemporary artists. An interdisciplinary approach to the design culture of the Modern Movement (IDEC USA & MIRC, Atlanta, Georgia, 2010), Case-museo del Moderno in Cornoldi A. Architettura degli interni, (Il Poligrafo, 2005).
Research in: Museography, House-Museum, Diffused Museum, Museum and archeology, Contemporary Art, Artivism, Interior Architecture, SciArt, Image-Text-Space, Contemporary Spiritual Art, concept studies in architecture and exposition contexts.
Cristina Fiordimela and Freddy Paul Grunert, philosopher and indipendent curator, work in common since 2015. Some works: V/Vêtus Urbs Vacuum in Viterbo (2020) contemporary art programme, SoL, Symmetries of Light, Globale ZKM,Karlsruhe, VR installation Perfection_Science Gallery Melbourne 2018, Twisted in Light MAXXI Rome 2016, Ceçi n’est pas une table_ contemporary artivism, 1° International Commons Festival 2015, Maria Hope Transcendental Art Gallery (DaPlastique Foundation, since 2015), essays: Paolo Gioli, Family Album, in AA.VV. Paolo Gioli (Silvana Editoriale, 2021), Chambre d’Amour in Ágalma 38 (Mimesis, 2019), Chambre en commons. Culture et Démocratie Cahier 8 (Bruxelles, 2018), Maison au Soleil, in AA.VV., Francesco Lo Savio (MART edizioni, 2018).
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Prefazione di David Chipperfield
Foreword by David Chipperfield
13 Klöster, darunter Santa Maria di
Betlem (Italien) und Nový Dvůr (Tschechien),
als Orte der Beziehung zwischen
konkretem Raum und gelebter Spiritualität.
In Licht und Lichtführung findet
sie den Schnittpunkt von Genügsamkeit
und Sinnlichkeit in der Architektur.
Keywords
room write viscera-love body language expanded body experience intimacy
Prefazione di David Chipperfield
Foreword by David Chipperfield
13 Klöster, darunter Santa Maria di
Betlem (Italien) und Nový Dvůr (Tschechien),
als Orte der Beziehung zwischen
konkretem Raum und gelebter Spiritualität.
In Licht und Lichtführung findet
sie den Schnittpunkt von Genügsamkeit
und Sinnlichkeit in der Architektur.
Keywords
room write viscera-love body language expanded body experience intimacy
lavoro e della cultura. È un’esperienza vissuta da più soggettività in transito, che a partire dalla Mayday del 1 maggio 2014, durante il festival di arte performativa Folle agire urbano, si sono intersecate nella palazzina liberty di via Molise 68 e nelle dislocazioni di un artivismo che ha agito a più riprese in altri luoghi: gli approfondimenti sulla ricerca teatrale di Jerzy Grotowski al Teatro Era a Pontedera, l’intreccio con il Workcenter nelle sale di prova e nelle case a Le Vallicelle, la visione dei loro materiali video al Cinema Beltrade a Milano, l’esplorazione degli archivi digitali delle arti performative in corso d’opera allo ZKM Zentrum für Kunst und Medientechnologie a Karlsruhe, Ceci n’est pas une table, display espositivo in AREA - prima edizione del Festival Internazionale dei Beni Comuni a Chieri nel 2015. Il linguaggio non poteva essere uno solo, né il senso di lettura univoco, e fin dall’inizio il libro si configura come un notebook situazionista che usa varie forme di scrittura e di dialogo. In controluce, i poemi di Allen Ginsberg attraggono gli sconfinamenti nella Beat Generation, aprendo la ricerca e la pratica alla complessità.
This book is a collective work telling the story of NowHere Active Residencies: the artistic residency of the Open Program of the Workcenter of Jerzy Grotowski and Thomas Richards in Macao, a new center for arts, culture and research in Milan. Here, from October 3 to 12, 2014, for the first time in Milan, with free entrance or voluntary contribution, the Open Program mounts their shows on stage: Electric Party Songs and I Am America, dedicated to the work of Allen Ginsberg, The Hidden Sayings, and an open workshop. NowHere Active Residencies, supported by a crowdfunding campaign, is an artistic and political practice that rejects the logic of exchange based on do ut des, fostering instead, by means of residences, the production of knowledge, tools and spaces, beyond the capitalization of work and culture. An experience lived by several subjects in transit, starting from Mayday 2014, during the festival of performing art Folle agire urbano - Foolish Urban Act, at Palazzina Liberty in Milan, and in a set of locations, linked by composite artivism: the studies about Jerzy Grotowski’s theatre research at Teatro Era in Pontedera, twisting with the Workcenter in the rehearsal rooms and in the houses at Le Vallicelle, the screening of their video materials at Cinema Beltrade in Milan, the exploration of the digital archives of performing arts to come at the ZKM Zentrum für Kunst und Medientechnologie in Karlsruhe, Ceci n’est pas une table, the exhibition at the AREA - first edition of International Commons Festival in Chieri, 2015.
The language could not be only one, nor could the reading sense be univocal: from the very beginning this book configured itself as a situationist notebook using various forms of writing and dialogue. Against the light, Allen Ginsberg's poems inspire incursions into the Beat Generation, opening up research and practice to complexity.
Testi di / Texts by:
Mario Biagini, Stefano Bollani, Nhandan Chirco, Alberto Cossu, Cristina Fiordimela, Luca Formenton, Freddy Paul Grunert, Axel Heil, Francis Kuipers, Felicita Marcelli, Fernando Antonio Mencarelli, Renata M. Molinari, Antonello Mura, Vittoria Pasca Raymondi, Carla Pollastrelli, Oliviero Ponte Di Pino, Alejandro Tomás Rodriguez, Igor Stokfiszewski, Lisa Wolford Wylam, Tommaso Urselli.
Foto di / Photos by:
Archivio Luca Formenton, Archivio Francis Kuipers, Archivio Ministero della Cultura-Parco Archeologico del Colosseo, Archivio Zkm, Tiziano Berti, Giovanni Gianfranco Candida/WallsOfMilano, Marianna Faraci, Cristina Fiordimela, Corrado Gemini, Andrea Isola, Alessandro Lariccia.
Presentazione del libro NowHere. Residenze attive con la partecipazione di Alberto Aghemo, Silvana Barbarini, Antonio Manfreda.
Alla Fondazione Giacomo Matteotti, Roma.
8 marzo 2024
IPER Festival delle Periferie
Ex-Mattatoio, Roma
10.06.2023
https://www.museodelleperiferie.it/evento/cristina-fiordimela-nowher-residenze-attive