Papers by Vjera Katalinić
One of the stops on Liszt's »small European tour« was the concert in Zagreb, which Franz Liszt ga... more One of the stops on Liszt's »small European tour« was the concert in Zagreb, which Franz Liszt gave on 27 July 1846. His sojourn was remembered mostly after the interpretation of the Croatian musicologist Franjo Ksaver Kuhač (1834−1911) in his article Reminiscences of Dr Franz Liszt, published in 1908, where he insisted on a strong political implication of the Croatian situation at that time. Here some corrections have been presented concerning Liszt's sojourn and the programme of the concert. However, Croatian musicians and members of the nobility used to travel throughout Europe, so their paths crossed with Liszt's routes. Other encounters of Franz Liszt with Croatian musicians occurred in Aachen, with the pianist, composer and conductor Carl von Turányi (1805-1873) from Osijek in 1857, and in Rome with the 14-year-old violin virtuoso Franjo Krežma (1862-1881) from Osijek in 1876. One of his pupils was, allegedly, Kuhač himself. Liszt was also acquainted with Croatian aristocratic families Sermage, Vranyczany and Buratt i in Zagreb and Rome, and the contacts of Bishop Josip Juraj Strossmayer (1815-1905; also from Osijek) were more intense, not linked only to Liszt, but also to Carolyne Sayn-Witt genstein.
or trying to earn recognition in foreign lands. This text is dealing with the analysis of various... more or trying to earn recognition in foreign lands. This text is dealing with the analysis of various types of migrations of foreign and domestic musicians; it is also offering case studies and tries to identify permanent enrichments (cultural transfers!) as the final outcome of such migrations, especially those important for Croatian musical life.
De musica disserenda, 2016
The house where Vatroslav Lisinski (1819-1854) was born is in Zagreb, Ilica 206 (today no. 37). I... more The house where Vatroslav Lisinski (1819-1854) was born is in Zagreb, Ilica 206 (today no. 37). Izvleček: Članek obravnava razmere v štiridesetih letih 19. stoletja, ko so rodoljubi zaprosili mladega skladatelja Vatroslava Lisinskega (1819-1854), da napiše nacionalno opero. Ni bil dovolj glasbeno izobražen za tako nalogo, pa tudi pesniki niso bili dovolj izkušeni s pisanjem libretov. V obliki izmišljenega skladateljevega monologa so predstavljeni njegovi dvomi in ravnanje, zasedba in izvedba njegove opere Ljubav in zloba.
... Abstract: In der musikalischen Analyse der ausgewählten historischen Opern von Vatroslav Lisi... more ... Abstract: In der musikalischen Analyse der ausgewählten historischen Opern von Vatroslav Lisinski (Porin, 1852), August Adelburg Abramović (Zriny, 1866) und Ivan Zajc (Nikola Šubić Zrinjski, 1876), die in der zweiten Hälfte des ... Made by: Ivo Batistić and Jadranka Stojanovski. ...
DOAJ (DOAJ: Directory of Open Access Journals), 2018
U 19. stoljecu drama Zriny njemackog ranoromantika Theodora Kornera glazbeno je uprizorena cetiri... more U 19. stoljecu drama Zriny njemackog ranoromantika Theodora Kornera glazbeno je uprizorena cetiri puta. Franz Xaver Kleinheinz (1765-1832) napisao je scensku glazbu Zriny za prvu izvedbu 1812. Franz Joseph Glaser (1798-1861) skladao je melodramu u pet cinova Zriny na libreto Richarda Geneea po Th. Korneru (praizvedena 1836. u Berlinu). August Adelburg Abramovic (1830-1873) skladao je operu Zrinyi (praizvedba 1868. u Budimpesti). Ivan pl. Zajc (1832-1914) skladao je operu Nikola Subic Zrinjski (praizvedena 1876. u Zagrebu). U tekstu su predstavljeni autori, a raspravlja se o kontekstu nastanka i glavnim strukturnim odrednicama svakog od ovih djela.
Rezultati mojih dosadasnjih istraživanja koncerata koje je Ivan Padovec (1800.-1873.), hrvatski g... more Rezultati mojih dosadasnjih istraživanja koncerata koje je Ivan Padovec (1800.-1873.), hrvatski gitaristicki virtuoz i skladatelj, održao u Becu, objavljeni su 2006. godine u zborniku radova sa znanstvenog skupa posvecenog 200. obljetnici njegova rođenja. Tamo sam prikazala dva izvora iz tada popularnih beckih novina Allgemeine Theaterzeitung und Originalblatt fur Kunst, Literatur und geselliges Leben, koje je objavljivao A. Bauerle, koji svjedoce o Padovcevim koncertima u Theater an der Wien (1831, kao koncert među kazalisnim cinovima) i l ; im langen Hauser ; (1832, kao dobrotvorni koncert za slijepe). Novijim istraživanjem potvrđeno je da je taj virtuoz i skladatelj koncertirao 29. prosinca 1833. u beckom lokalu l ; Zum romischen Kaiserr ; , zajedno sa svojim ucenikom Josephom Benediktom 4. sijecnja 1834. Izveli su dva Padovceva koncertantna komada za gitaru. Na temelju pronađenog osvrta u navedenim novinama analizira se koncert, lokacija, sudionici i izvedene skladbe. Cini se također da je to zadnji podatak o Padovcevim nastupima u Becu.
Kao πto je danas nezamislivo da se skladateljski ili glazbenoistraaeivaËki opus neke liËnosti pri... more Kao πto je danas nezamislivo da se skladateljski ili glazbenoistraaeivaËki opus neke liËnosti prikazuje izvan konteksta njegova vremena i kruga djelovanja, tako ni Povijest hrvatske glazbe Josipa Andreisa, kao ishodiπte ovoga rada ne moaeemo i ne smijemo promatrati odvojeno od vremena u kojem je nastajala. Kao πto se glazbeno djelo analizira i time otkrivaju autorovi postupci, njegovo kontekstualiziranje nam daje smjernice za moguÊa objaπnjenja zbog Ëega ih je primijenio. Tako
Radovi Zavoda za znanstveni rad Varaždin, Dec 29, 2014
or trying to earn recognition in foreign lands. This text is dealing with the analysis of various... more or trying to earn recognition in foreign lands. This text is dealing with the analysis of various types of migrations of foreign and domestic musicians; it is also offering case studies and tries to identify permanent enrichments (cultural transfers!) as the final outcome of such migrations, especially those important for Croatian musical life.
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Papers by Vjera Katalinić