احمد الحسن

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Benjamin Isakhan

Deakin University

Andrea Peto

Central European University

John Clark

Loyola University New Orleans

David Seamon

Kansas State University

Armando Marques-Guedes

UNL - New University of Lisbon

Martin O'Neill

University of York

Francisco Vazquez-Garcia

Universidad de Cadiz

Uday Chandra

SFS Qatar (Georgetown University)

Camelia Dewan, PhD

University of Oslo

Graham Dutfield

University of Leeds

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Papers by احمد الحسن

تقانة الاظهار في الرسم العراقي المعاصر

لارك, Feb 4, 2019

Discussion dealt with the concept of technology in modern art how to employ them in the work of p... more Discussion dealt with the concept of technology in modern art how to employ them in the work of plastic and its role in the development of art and the diversity of discoveries that Azlt shadow on the expansion of the artwork and given a dye new aesthetic contemporary , and the extent of their impact in the drawing contemporary Iraqi when generations of successive starting generation of pioneers and down to the younger generation in the eighties and the end nineties until two thousand , and over half a century of the history of art movement in Iraq. Has dealt with the theoretical framework to discuss Mbgesh first root historical and technical PRESENTATION , addressing the root historical technique down to the post-abstract expressionism and the performing arts. Addressed the second part, the root historical in drawing contemporary Iraqi , and the extent of their impact in the fine movement , and it first appeared, and how to deal with it in philosophical thought aesthetic , and the third topic dealt with in drawing techniques PRESENTATION contemporary Iraqi. And detection techniques Manifesting Tolha cognitive and tribulations animation and sophisticated in form and substance and content according to the variables of technological advances and changes in the structures of the performing and intellectual , philosophical and environmental variable , and grew the mobility of knowledge and access to the indicators of the theoretical framework , and research procedures adopted curriculum descriptive analysis to analyze the sample of (5) pictorial models , has concluded research results that answer the following questions raised by the research 1-What are the concepts of intellectual and aesthetic techniques as references Foundation for Contemporary Art in Iraq? 2-What are the structural and technical wizards and how to employ visual materials on the surface? 3-What are the most important references , which was affected by the drawing of Iraq and adopted by the artist in the recruitment of the optical surface in the determination of the physical concepts to him?

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